Nynke

Product Details
Composer: Cees Bijlstra
Audio CD (September 20, 2001)
SPARS Code: DDD
Number of Discs: 1
Format: Soundtrack
Label: Egmond
Condition: Used (Like New)
Rating: #####
Availability: In Stock
Price: RM21.00


Cees Bijlstra were an appreciated film type-setter and composed in 2001, the music for Verhoeff Nynke. In the past he wrote already music for films of Pieter Verhoeff as half-measures, the Dream and the lighthouse. For the Dream Bijlstra in Czechia won the Karlovy Vary price, intended for best film music. Nynke became its best score in association with Verhoeff and from its career. On to 18 April 2004 living let the type-setter jog during a bit; a heart attack became him fatal. Some weeks after its dead in lion ears during a jazz festival as a tribute and respect the head topic of Nynke was played live. Of the track `Leafde of its Nynke-score appeared later also still an arrangement for a purchaser link in bladmuziekvorm of Lake Music.


Track Listings
1. Leafde
2. Kâld
3. Wûnderblom
4. Snie
5. Maaiitijd
6. Herstocht
7. Alles Frede
8. Triljende Ierde
9. Nynke
10. Feroaring
11. Doarmje
12. Hingje Troelstra Op! Juny 1892
13. Heit en Soan
14. Afke (Earmoed)
15. Kâld Fjoet
16. Allinne
17. Tinskto
18. Sikehûs
19. Wer Thùs
20. Op Nij…
21. Jaloersk
22. Ungenêslik
23. Arme Cornélie (Cornélie Huygens Rip 11- 1902)
24. Net Wer
25. Ofskie
26. Foarby
27. Sjoukje Bokma de Boer


The heart of Bijlstra score is an unforgettable topic. A pleasant melody carried out strijkers is completed with purchaser elements and builds in a triumphant and loving manner the topic. It reflects the progressive feminist character of the film good and accentuates this still further by an outlawed manifold. Sometimes it returns further in subtle form, but sometimes also a full glory, with recurrences and other tone altitudes. Ilona Sekacz passed that earlier in a different way for the similar Antonia, with several orkestrale layers several emotions and developments. The consonance color of the score of Nynke is rather natural and the score rather heavy. By the film gone it are the dark low strijkers and subdued purchaser whom Nynke outline to the always further isolation of the main personage. This is sometimes reinforced recurrence of melody going together with certain minimalistische piano-noten. Just like at the film the quiet and calm tempo of the score is an extra pluspunt, which in every way the dramatic impact increased. Without a more impressive last score of Bijlstra.


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